![]() In my mind, this is a proposition improving existing practices for maximum flexibility and utilisation of resources.ġ) It is physically impossible to deliver a theatrical mix intended for Cinema release in a small room.īut even though the mix would not be a final delivery, accurate speaker positioning is still important.Ģ) A small audio post studio intended for Home Atmos with accurate speaker placement for Netflix delivery could double as a remote Premix/tracklay facility for Theatrical Atmos. I realise there are existing workaround practices for this. This would also allow for accurate placement of moving elements in a bed (principally constrained for objects) Especially internal PT bussing for Compression and Reverb management ( ie Stratus and Symphony Reverbs ). Workflow wise 7.1.4 would be a far more logical buss structure to communicate with DAPS. Similar to the way Auro has 2 5.0 layers. That's why I felt the minimum level of 4 height speakers works better. That's the reason why a lot of mixers avoid that approach. If you send a static ambience to this channel, it will sound almost as mono. I used to really like what the Container did on LtRt.Įxactly. It seems like Dolby could implement some kind of multichannel Atmos version of their 'Container' within the RMU. At the moment I am using some ‘keyed’ compression on beds and objects either inside protools or from stem re-renders. I’ve been told that it something Dolby are working on. This is definitely an issue when you are trying to hit a Home Entertainment spec. They've kind of teased us with the possibilities in allowing routing between beds and objects to be automated,why not go the whole way? I think Avid feels this is too complicated, but it would be massively liberating. I would love to have automatable routings for all channels which would allow you to use less FX channels to cover all stem groups. Is there any benefit to automate a reverb between bed and object? Randall do you have different object and Bed reverbs for DX FX and MX. Interesting stuff and great to hear how others are using Atmos! You can do as many of those as you want, you just have to define them. WAV and have the RMU do a series of offline bounces. Another option is to record a DAFP or ADM. Depending on how you are working, you can just have the RMU deal with the first set of fold downs and have your stem recorder do the rest. You are able to define re-render groups in just about any width configuration you would want (2.0 - 7.1.2). You can also combine multiple groups for a re-render if needed. ![]() In the RMU you are able to define each group (Bed and corresponding objects) as one of the food groups (Dx, Loop, Music, etc). ![]() The rendered has a clever way of dealing with this. The objects can be placed with much better precision than the bed overheads.įor instance DME deliverables and with some companies asking for separate Foley Stems etc too, how do you make that work In large sessions, this allows for more objects. 2 in the bed and opting for 7.1 beds only instead. When using objects? Do you have to do a separate pass for each of the food groups and mute stuff accordingly, or does the Dolby renderer have some clever way of dealing with it? How do people handle deliverables with Atmos?įor instance DME deliverables and with some companies asking for seperate Foley Stems etc too, how do you make that work I realise you can use Object tracks to send stuff to them, or pan across them, but it just makes sense to me to have beds laid out in pairs of tracks across the side, rear and top soundfield, surely that makes it more immersive?ĭoes anyone else feel this way or is it just me? What confuses me is, why is the maximum track width for a bed only 7.1.2? How can you use your 4 height speakers effectively if you can only access them as. I'm currently setting up a pre mix Atmos room and a couple of issues have come to mind that I'm hoping some Atmos whiz may be able to help me with.ħ.1.4 seems to be the sweet spot for Atmos in a small room, 4 overheads that you can pan through, or set up as a bed would seem to make sense. ![]()
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